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ZM-L20R
The Zoom LiveTrak™ L-20R is a rack-mountable digital mixer that allows musicians to control their live mix right from the stage with the use of an iPad. With wireless control, 20 discrete channels, 22 tracks of recording and six custom monitor mixes.
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Zoom Livetrak L20R 20-Channel Digital Mixer / Recorder
The Zoom LiveTrak™ L-20R is a rack-mountable digital mixer that allows musicians to control their live mix right from the stage with the use of an iPad. With wireless control, 20 discrete channels, 22 tracks of recording and six custom monitor mixes, the L-20R offers a complete solution for any venue
Portable and Powerful
Featuring 16 mono mic/line inputs and two stereo inputs, the L-20R can handle the most demanding stages. The L-20R offers two EFX busses and each channel includes a 3-band EQ, pan controls and compressor.
22 Tracks of Recording
During your live performance, record 20 channels plus a stereo mix directly to an SD card, then transfer your tracks to your DAW for your final edit. Effects, EQ, overdub, audio interface, and fader modes A-F are not available in 96 kHz.
It’s Your Monitor Make It Your Mix
With six independent monitor outputs, the L-20R enables musicians to create their own custom mix. A dedicated output enables the FOH engineer to easily switch between monitoring the main and sub-mixes.
iPad Control
With iPads, the FOH engineer and 6 musicians can control their own mix from anywhere in the venue.
Compatible with all iPad Air models, iPad Mini 2 and later, iPad Pro, and iPad (2017), running iOS 10.3.3 or newer.
Scene Recall
With the LiveTrak L-20R’s Scene Recall feature, you can instantly recall up to nine different scenes with monitor mixes, EQ settings, effects, and more.
Accessible
The L-20R’s versatile design provides easy access for plugging in your cables.
A Robust Audio Interface
The L-20R is a 22-in/4-out USB audio interface. Route inputs to any DAW, streaming software, or iOS device*—even while recording to an SD card.
Features
- 20 discrete channels (16 mono plus 2 stereos) with XLR or ¼-inch connectivity
- 22-track simultaneous recording, 20-track playback
- 22-in/4-out USB audio interface connectivity
- Records up to 24bit/96kHz audio to SD card
- Built-in compression control (Channels 1-16)
- Main outputs plus 6 customizable monitor outputs
- Dedicated headphone output for the sound engineer
- Scene saving function, up to 9 scenes saved at a time
- 20 built-in chorus, delay and reverb effects with adjustable parameters
- Compatible with Remote Mixer app for iPad
Specifications:
Number of Input and Output Channels | |
Inputs | Mono (MIC/LINE): 16 Stereo (LINE): 2 |
Outputs | Master Out: 1 Monitor Out: 6 Phones: 1 |
Inputs 1-16 | |
Mono (MIC/LINE) | Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT) |
Input gain | PAD OFF: +16 – +60dB PAD ON: − 10 – +34 dB Hi-Z ON: +6 – +50 dB |
Input impedance | XLR: 3 k Ω TRS: 10 k Ω /1 M Ω (when Hi-Z ON) |
Maximum input level | PAD OFF: 0 dBu (at 0 dBFS) PAD ON: +26 dBu (at 0 dBFS) |
Phantom power | +48 V |
Stereo (LINE) | Type: TS phone/RCA pin (unbalanced) jacks Maximum input level : +10 dBu |
Output | |
Master Out | Type: XLR jacks (balanced) Maximum output level:+14.5 dBu Output impedance: 100 Ω |
Monitor Out A–F (with balanced output) connected to monitor speakers | Type: TRS phone jacks (balanced) Maximum output level: +14.5 dBu Output impedance: 100 Ω |
Monitor Out A– F (with unbalanced output) connected to headphones | Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 Ω Output impedance: 100 Ω |
Phones | Type: Standard stereo phone jacks Maximum output level: 42 mW + 42 mW at 60 Ω Output impedance: 100 Ω |
Buses | |
Master | 1 |
Monitor: | 6 |
Send EFX | 2 |
Channel Strip | |
COMP | |
Low Cut | 40–600 Hz, 12dB/OCT |
EQ | HIGH: 10 kHz, ± 15 dB, shelving MID: 100 Hz – 8 kHz, ± 15 dB, peaking LOW: 100 Hz, ± 15 dB, shelving |
Level Meters | |
Level segments | 12 |
Send Effects | 20 Types |
Effects: EFX 1 | Hall 1 (Reverb) Hall 2 (Reverb) Room 1 (Reverb) Plate (Reverb) Church (Reverb) DrumAmb (Reverb) GateRev (Reverb) Vocal 1 (Delay + Hall Reverb) Vocal 2 (Delay + Mono Reverb) Vocal 3 (Delay + Plate Reverb) |
Effects: EFX 2 | Hall 3 (Reverb) Room 2 (Reverb) Spring (Reverb) Delay (Delay) Analog (Delay) P-P Dly (Delay) Vocal 4 (Delay + Room Reverb) Chorus 1 (Stereo Chorus) Chorus 2 (Mono Chorus) Cho+Dly (Chorus + Delay) |
Recorder | |
Maximum simultaneous recording tracks | 22 at 44.1/48/96 kHz |
Maximum simultaneous playback tracks | 20 |
Recording format & Sample Rates | WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo |
Recording media | 4 GB – 32 GB SDHC cards (Class 10 or higher) 64 GB – 512 GB SDXC cards (Class 10 or higher) |
Audio Interface | |
44.1/48 kHz | Recording: 22 channels Playback: 4 channels |
Bit depth | 24-bit |
Interface | USB 2.0 |
System Requirements for Audio Interface Mode | |
Windows | OS: Windows® 7 SP1 or later / 8.1 / 10 (32bit/64bit) CPU: Intel® Core i3 or faster* USB: USB 3.0/USB 2.0** *Operation is not guaranteed with CPUs from Atom, Celeron or Pentium series or CPUs made by AMD. ** Only USB host controllers with Intel Chipsets are supported. Operation is not guaranteed when used with USB hubs or expansion cards. |
Mac |
OS: Mac® OS X 10.11 / 10.12 / 10.13 / 10.14 |
iPhone/iPad | OS: iOS 9 / 10 / 11 * Apple Lightning-to-USB Camera Adapter required. |
Class | USB 2.0 High Speed |
USB Host | |
Class | USB 2.0 High Speed |
Sampling frequency | 44.1/48/96 kHz |
Frequency characteristics | 44.1 kHz: −1.0 dB, 20 Hz – 20 kHz 96 kHz: −3.0 dB, 20 Hz – 40 kHz |
Equivalent input noise | Actual measurements: −128dB EIN (IHF-A) at +60dB/150Ω input |
Display | LCD with backlight (128×64 resolution) |
Power | AD-19 AC adapter (DC12V 2A) |
Power consumption | 24 W maximum |
External dimensions (WxDxH) | 438mm x 158.2mm x 151.7mm |
Weight (main unit only) | 2.49kg |
Item Includes:
- LiveTrak L-20R
- AD-19 AC Adapter
- BTA-1 Bluetooth Adapter
- Rack Ears
- Quick Guide
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